Any writer who has ever been yanked around by a publisher or treated rudely an editor will find the following irresistible.
Norman MacLean was the author of A River Runs Throught It – a brilliant short story that became an excellent movie. This letter was written in 1981 to Charles Elliott of Alfred A. Knopf publishers.
Knopf was the publisher who accepted MacLean’s first book before rejecting it, but was courting Maclean for his second manuscript – Young Men and Fire.
Letter to Alfred A. Knopf, Publishers
Dear Mr. Elliott:
I have discovered that I have been writing you under false pretenses, although stealing from myself more than from you. I have stolen from myself the opportunity of seeing the dream of every rejected author come true.
The dream of every rejected author must be to see, like sugar plums dancing in his head, please-can’t-we-see-your-next-manuscript letters standing in piles on his desk, all coming from publishing companies that rejected his previous manuscript, especially from the more pompous of the fatted cows grazing contentedly in the publishing field. I am sure that, under the influence of those dreams, some of the finest fuck-you prose in the English language has been composed but, alas, never published. And to think that the rare moment in history came to me when I could in actuality have written the prose masterpiece for all rejected authors – and I didn’t even see that history had swung wide its doors to me.
You must have known that Alfred A. Knopf turned down my first collection of stories after playing games with it, or at least the game of cat’s-paw, now rolling it over and saying they were going to publish it and then rolling it on its back when the president of the company announced it wouldn’t sell. So I can’t understand how you could ask if I’d submit my second manuscript to Alfred A. Knopf, unless you don’t know my race of people. And I can’t understand how it didn’t register on me – ‘Alfred A. Knopf’ is clear enough on your stationery.
But, although I let the big moment elude me, it has given rise to little pleasures. For instance, whenever I receive a statement of the sales of ‘A River Runs Through It’ from the University of Chicago Press, I see that someone has written across the bottom of it, ‘Hurrah for Alfred A. Knopf.’ However, having let the great moment slip by unrecognized and unadorned, I can now only weakly say this: if the situation ever arose when Alfred A. Knopf was the only publishing house remaining in the world and I was the sole remaining author, that would mark the end of the world of books.
Very sincerely,
Norman Maclean
I don’t necessarily recommend this to everyone, but it’s something of a thrill to see MacLean do it.
[tags]norman maclean, a river runs through it[/tags]
Comments 2
Sounds like extreme bitterness to me. I would hope I would never burn a bridge like that.
Rejection sucks. However, it tastes sweet when someone comes back and wants you.
I speak from experience (Not Normans of course).
In truth, I don’t fault Norman MacLean. I’m assuming it wasn’t the rejection as much as the chain-yanking that preceded it.
No, I don’t recommend this, but I’ve done similar things twice in my career and don’t regret either.
Some bridges get burned from the other side, and writers should have passion for the work they’re doing – and an expectation that they’ll be treated with a minimum level of professionalism.
MacLeans letter was an act of revenge, but perhaps that’s exactly the feedback Knopf needed to avoid a repeat…
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